2010

Lesage, Dieter & Wudtke, Ina. “Black Sound White Cube.” Löcker Verlag (June 11)
Goldberg, RoseLee. “Everywhere and All At Once: An Anthology of Writings on Performa 07.”
JRP|Ringier (April 24)

Butter, Thomas. “Interview with Sanford Biggers.” Whitehot Magazine (April) http://whitehotmagazine.com/articles/2010-interview-with-sanford-biggers/2054

Rife, Susan. “Greenfield Prize presented to NY artist.” Herald Tribune (April 16)

Donelan, Charles. “Sanford Biggers’s Moon Medicine at Contemporary Arts Forum.”
Santa Barbara Independent (March 18)
http://www.independent.com/news/2010/mar/18/sanford-biggerss-moon-medicine-contemporary-arts-f/

Mills, Ted. “Biggers than Most — The ever-expanding world of Sanford Biggers.” Santa Barbara
News Press (March 12)

Garcia, Miki. “Sanford Biggers: Moon Medicine.” Catalog by Santa Barbara Contemporary Arts
Forum (March 3)

Grudman, Uta, Volk, Gregory & Russ, Sabine. “Carnival Within: An Exhibition Made in America.” Verlag fur moderne Kunst Nurnber (February 28)

Row, D.K. “Review” ‘Disquieted’ at the Portland Art Museum.” The Oregonian (February 22)

Rife, Susan, L. “This year’s Greenfield Prize winner melds a variety of talents and thoughts.” Herald Tribune (January 24)

2009

“Best of Manhattan 09: Arts & Entertainment.” New York Press (October 14) http://www.nypress.com/article-20481-best-of-manhattan-arts-entertainment.html

Newhall, Edith. “Galleries: Three artists vie for prize.” Philadelphia Inquirer (October 11)

Miles, David. “The $150,000 Question.” Art Info (October 8)
http://www.artinfo.com/news/story/32882/the-150000-question/

Green, Kate. “Future Anterior: an index to contemporary art’s imminent history.” Art Papers (September/October)

Soccoccia, Susan. “The curious world of Sanford Biggers.” The Bay State Banner (November 12)

Sweeney, Sarah. “’Stranger Fruit,’ indeed.” Harvard Gazette (November 12)

“Sanford Biggers Wins 2009 William H. Johnson Prize.” Artforum (Online, News) (September 17)

Genocchio, Benjamin. “All Dressed Up at the Katonah Museum of Art.” The New York Times
(August 21)

Jahn, Jeff. “PAM acquires two Sanford Biggers works.” PORT (August 19)

Bloemink, Barbara. “Dress Codes: Clothing as Metaphor.” The Huffington Post (August 12)

Johnson, Barry. “Sanford Biggers: The Skittery Meaning of Trees.” The Oregonian (June 30)

Bowie, Chas. “Review: Sanford Biggers at the Portland Art Museum.” (June 26)

Blackburn, Mary Walling. “Virtual Sketchbook: Sanford Biggers’s Conundrum.” (April 27)

Jackson, Brian Keith. “Talking About A Revolution.” Giant Magazine (April)

Schwartz, Madeleine M. “Multifaceted Artist Biggers Dodges Simple Interpretations.” The Harvard
Crimson (April10)

Biggers, Sanford. “Artists on Artists: Rashid Johnson by Sanford Biggers.” BOMBMagazine (April)

Schambelan, Elizabeth. “Civic Engagement.” Artforum (January)

Carlin, TJ. "Sanford Biggers." Time Out New York (issue 695) (January 22)

http://www.timeout.com/newyork/articles/art/70814/sanford-biggers

Gaines, Malik. "Sanford Biggers: The Big Idea." RVA Magazine (Vol 4 issue 9)                             http://issuu.com/snooka/docs/webrva_v4i9final/15

2008

Southern Exposure." The New York Times Magazine (December 7)

Klein, Paul. "Art Lifts New Orleans." The Huffington Post (November 4)

"Halloween Special: New Orleans, Prospect 1." ArtFagCity.com (October 31)

Yablonsky, Linda. “Blue Note.” Artforum online (November 10)

“Voting Becomes Art.” NBC Nightly News with Brian Williams (November 4) www.msnbc.msn.com/id/3032619/vp/27542882#27542882

“Best Solo Exhibition: Sanford Biggers at Grand Arts.” The Pitch Z
http://www.pitch.com/bestof/2008/award/best-solo-exhibition-731232/

Bodin, Claudia. “Prospect. 1 Biennale New Orleans.” Art Das Kunstmagazin (November 3)

Artkrush (issue 96.) HYPERLINK http://artkrush.com/gallery/96/feature/10/Sanford-Biggers

McAdams, Shane. “Sanford Biggers...” Art Voices (Issue 2008) (November): 40-41.                

Lewis, Christina. “The Big Easy’s Art Gumbo.” The Wall Street Journal Online (October 31)

Cotter, Holland. “Making Secular Art Out of Religious Imagery.” The New York Times (October 29)

Brookhardt, D. Eric. “The Big Easel.” Gambit Weekly (Vol 29, no. 44) (October 28): 21, 24.

Johnson, Paddy. “The Voting Booth Project.” The Huffington Post (October 20)                

Jackson, Sharyn. “The Voting Booth Project.” Village Voice (October)

WNYC Culture. “NeoHooDoo, Broadway, the Oxygen Hog, and ‘Mary’.” ART.CULT (October 20)

2007

Beckwith, Naomi. “One to Watch [Sanford Biggers].” Artkrush (Issue 70: Performance Art) (October 31 – November 13)

Brown, Angela K. “Fort Worth Exhibit Explores the Many Faces of Childhood.” Caller-Times (March 18)

Chang, Jeff (ed.). “Total Chaos: The Art and Aesthetics of Hip-Hop.” Perseus Books

Duff, Stacey. “A New York Minute.” Time Out Beijing (February): 45.

Oliver, Valerie Cassel. “Meditations of a B-Boy Buddhist.” International Review of African American Art (Volume 21, Number 3): 51-54.

Rabinowitz, Cay-Sophie. “Blossom.” Grand Arts Exhibition Catalog (October)

Robinson, Gaile. “Modern’s Show Takes the Cute Out of Childhood.” Star Telegram (February 25)

Self, Dana. “In the Keys of Life.” The Pitch (September 27 – October 3)

Taft, Catherine. “Sanford Biggers.” Modern Painters (February): 95.

Terranova, Charissa N. “Romper Rooms.” The Dallas Morning News (February 24): 1E, 6E.

Thorson, Alice. “A Tree Among the Keys.” The Kansas City Star (October 14): F5.

“Intelligent Design.” New Yorker (April 9)

“Artists on Spirituality.” Art Asia Pacific (Winter): 89.

2006

Artner, Allan. “Art of Peace: 88 Viewpoints on the Dalai Lama.” The Chicago Tribune (November 2)

Brooks, Amra. “Must See Art: Freedom and Other Seldom Traveled Roads.” LA Weekly (November 29)

Kino, Carol. “Young Collector Stefan Levine: Gas Man.” Art Basel Miami Beach (December): 72.

Knight, Christopher. “’Jocko’ Represents a Cultural Battle.” Los Angeles Times (December 1)                

Larson, Kay. “Keeping the Faith.” ARTnews (February): 98-100.

Larson, Kay. “The Missing Peace: Artist Consider the Dalai Lama.” The Shambhala Sun (November)  

Maerkle, Andrew. “Artist’s on Spirituality.” Art Asia Pacific (Winter)

Newman, Andrew Adam. “Directions; The Golden Hour.” New York Times (Arts) (March 12)                

Smith, Roberta. “Chelsea is a Battlefield: Galleries Muster Groups.” New York Times (July 28)

O’Sullivan, Michael. “Richmond artists Rooted in Histories.” The Washington Post (December 1)

Szupinska, Joanna. “Paint It Black: African American Art Goes To Warsaw.” Artillery (December): 46.

“A Bit of Richmond, Now Showing in D.C.” The Washington Post (November 9)

2005

Dawson, Jessica. “Street Culture Bursts Into the Gallery.” The Washington Post (July 21)

Bowles, John. "Sanford Biggers at the Contemporary Arts Center." Art in America (January 2)           

Bryan-Wilson, Julia. “Split Decision.” BookForum (December)

Houston, Kerr. “Review: Sanford Biggers.” Urbanite Magazine (January)                

Jackson, Brian Keith. “Show and Tell: Sanford Biggers.” New York Magazine (June)

2004

Baas, Jaqueline & Jacob, Mary Jane(ed). Buddha Mind in Contemporary Art. * Univ. of California Press

Bauer, Marilyn. “Cultural Fusion.” The Cincinnati Enquirer (May)

Estes, Sarah. “Critics Pick: Both And Not Either Or.” The City Paper (October 27)

2003

Glueck, Grace. “From Four Milleniums of Jewish Cultural Life.” New York Times (Arts) (June 27)

Genocchio, Benjamin. “The Forgeries Are The Real Thing In This Exhibition.” New York Times (Arts) (April 13)                

Golonu, Berin. "Psychic Windows." Sculpture (review) (January/February): 72-73.

Greco, Stephen & Zita, Carmen. “State of the Art: In Sight.” Trace (issue #36): 53.

Smith, Roberta. “A Cornucopia of Cultural Exchange, Beginning With A Martial Arts Hero.” New York Times(Arts) (November 28)

Stillman, Nick “Black Belt.” The Brooklyn Rail (November)

2002

Anderson, Tomika. “Art Heart’s Sake.” Vibe (April): 70.

Bollen, Chris. “Outsider Art”. V Magazine (March)                

Collins, Gina Cavallo. “Video Identity Issues.” Java Magazine (January): 16.

Dailey, Meghan. “Family – The Aldrich Museum of Contemporary Art.” ArtForum (October): 157.                

Donohue, Piper. “Boogie Down” Honey.” (January): 88.

Erhardt, Miklos. "Fesusfono es Poteau- Mitan." Balkon (October): 28-30.                

Girst, Thomas. “Ennui im Whitney.” die tageszeitung (March): 1.

Gopnik, Blake. “As American as Jumbalaya” Washington Post (Art). March 7. p.1                

Griffin, Tim. “Bi American – The Whitney Biennial opens its doors.” Time Out New York (March 14-21)

Grunitzky, Claude. “Meister Aller Klassen.” GQ International (September): 30-31.                

Jones, Amelia. “The Post Black Bomb.” Tema Celeste (March/April): 53-54.

Knight, Christopher. “Art Review.” Los Angeles Times (April 1): F2.                

Matusow, Cathy. “Buddhism and B-Boys?” Houston Press (November 21)

Nickas, Bob. “Multiple Voice.” ArtForum (May): 164.                

Patton, Phil. “Artists on the Verge.” Mercury Owner Magazine (Spring): 10-13.

Plagens, Peter. “This Man Will Decide What Art Is.” Newsweek (March 4): 55.                

Rauterberg, Von Hanno. “Danke, Herr, fur Video.” Feuilleton (kunst).

Robinson,Knox“The Show.” Fader (Winter): 48.                

Stevens, Mark. “Irony Lives.” New York Magazine (March): 55.

Teicholz, Nina. “Private View: Lawrence Rinder.” Art & Auction (March): 36.

2001

Budick, Ariella. “Post- Black and White.” Newsday (June)

Aranda-Alvarado,Rocio. “Culture and Memory.” NKA (Review) (Spring/Summer): 123.                

Cook, Dara. “Players/Rookies 2001.” Vibe (V100) (September): 182.

Cotter, Holland. “A Full Studio Museum Show Starts with 28 Young Artists and a Shoehorn.” New York Times (Review: Arts) (May 11): E36.                

Croal, Mashaka. “Freestylin' at the Studio Museum in Harlem by Aida.” Africana.com (June 26)

Dewan, Sheila K. “Twin Peaks Makes A Vertical World Their Own.” New York Times(Metro). (February 27)

Erikson, Emily. “Color Coded.” ArtForum (Preview) (May): 52.

FowlerGabe.“Gang of Four.” New Art Examiner (November/December)                

Gioni, Massimiliano. “New York Cut Up.” Flash Art (July-September): 72.

Girst, Thomas. “Power Enormous: The Art of Sanford Biggers” NY Arts April. p. 24                

Girst, Thomas. “Breakdance auf Leinwand.” die tageszeitung (kultur) (March): 16.

Griffin, Tim. “Race Matters.” Time Out New York (Art) (May 24): 55-56.                

Maxwell, Bill. “Art Offers New Notions of Being Black.” St. Petersburg Times (Art) (June 20)

Saltz, Jerry. “Post Black.” Village Voice (Art) (May 22): 51.                

Stevens, Mark. “The Studio Museum in Harlem “Freestyle”: More About Art than About Race.” New York Magazine (Art) (May 21): 84.

Tate, Greg. “The Golden Age” Village Voice (Art) (May 22): 49                

Viveros- Faune,Christian. “Freestyle.” New York Press (Editorial) (June)

Wilcox, Lauren. “Transformation and Tradition: Interview with Sanford Biggers.” Tout-Fait (Duchamp Studies On-line Journal)                

--. “Making the Case fir the ‘Post Black’ School of Art.” LA Times (September 29)

--.”The New Masters.” Vibe (Gallery) (May): 138 & 142.                

--. “Freestyle” at Studio Museum.” Artnet.com (news) (April 13)

2000

Berwick, Carly. “Power Spins” ARTnews (On the Edge).November. p. 224

Cotter Holland. “Picking Out Distinctive Voices in a Pluralistic Chorus.” New York Times (Review: Arts) (August 18): E31.                

Cotter, Holland. “A Condensed International Melange.” New York Times (Weekend – Arts & Leisure) (May 6): E37.

Jackson, Brian Keith. “Dharma on the Dancefloor.” Paper Magazine (Arts). September. p. 43                

Sirmans Franklin. “Artistically Speaking.” Soul Purpose.com (September 22)

Sirmans, Franklin. “From the Studio: Artists in Residence 2000.” Time Out New York (Arts) (August 3-10): 55.                

--. “Hanne Tierney, Marian Griffiths and Five Myles.” NY Arts Magazine (April): 14-15.